Shortly before the birth of my first child nine years ago, while browsing the bookstore for mommy wisdom, I discovered Anne Lamott’s Operating Instructions: A Journal of My Son’s First Year and fell in love with the author and the book. More than any parenting truisms the book might have contained, it was Lamott’s writing style—funny, self-deprecating, and brutally honest—that kept me reading. The big mommy insight I gleaned from Operating Instructions was that I wasn’t quite as neurotic as Anne, so my kid and I would probably be all right.
Dora the Explorer, eponymous Latina star of the animated Nickelodeon series, is a bilingual problem solver who confidently traverses unknown territory in every episode. In “City of Lost Toys,” a typical episode, Dora sets out to find her missing teddy bear, Osito, and other toys her friends have lost. She’s helped along the way by her sidekick (a monkey named Boots), her trusty map, and a group of magical stars she and Boots catch. The first landmark Dora reaches on her journey is a Mesoamerican-style pyramid where she must complete basic counting and arithmetic problems.
British scientists have uncovered the truth behind one of modern culture’s greatest mysteries: why little girls play with pink toys. Is it because toy companies flood whole store aisles with the color? Or because well-meaning relatives shower girl babies with pink blankets and clothing? Nope. According to the men in lab coats, it’s purely biological.
The New York Times Book Review has never exactly embraced passionate advocacy—unless it was promoting Pynchon’s and DeLillo’s place in the postmodernist canon. Even worse, it has become the place where serious feminist books come to die— or more accurately, to be dismissed with the flick of a well-manicured postfeminist wrist.
BeckyAll names have been changed. has been active in the fat acceptance movement for a good half-dozen years. She attends and organizes awareness-raising events, takes part in her local fat social scene, and fights to end discrimination against fat people with a powerful combination of weary sadness and righteous anger. She wears her weight like well-adorned armor, betraying no sense of regret or shame in her 480-pound body.
Not long ago, homeschooling was thought of as the domain of hippie earth mothers letting their kids “do their own thing” or creationist Christians shielding their kids from monkey science and premarital sex. As recently as 1980, homeschooling was illegal in 30 states. Despite the fact that such figures as Abraham Lincoln, Margaret Atwood, Sandra Day O’Connor, and, um, Jennifer Love Hewitt were products of a home education, the practice is still often seen as strange and even detrimental.
Bitch’s relationship with that crazy series of tubes known as the Internet has been marked by emotions ranging from mild curiosity to passionate indifference. The magazine was born in 1996 in the San Francisco Bay Area, which was also ground zero for much web-
related hoopla—Wired, Yahoo!, and the short-lived Future Sex magazine, among other entities. From a zeitgeist perspective, our little paper zine was in exactly the right place at exactly the wrong time.
Articleby Erin Keating, Skarlet Fever, Kate Baggott, Claudine Zap,filed under: Social commentary.
It's been almost three months since September 11, and while the onslaught of the holidays (and for those of us around the Bitch HQ , the onslaught of production on a new issue) has provided a bit of distraction, it's still almost impossible not to feel that our jobs, our ambitions, and our daily dramas have been permanently dwarfed by the sadness and horror of everything that happened that day and everything that's happened since. Without a news editor or an investigative reporting staff, Bitch is at something of a loss for words.
From all the films made every year, the Academy must choose the performance that deserves its Best Actress accolade—and avid watchers of their annual awards might well conclude it has no sensible criteria. Some years, the voting body wants to show its integrity. Other years, it wants to pet its poodles. This year, it wanted to pretend that racism isn’t an industry given, and rolled out an inelegant glut of tardy tributes. And there are, clearly, yet more social and political complexities polluting the field.
You flip to your local Clear Channel station to find a shock jock “joking” about where kidnappers can most easily buy nylon rope, tarps, and lye for tying up, hiding, and dissolving the bodies of little girls. Reuters runs an important international news brief about a Nigerian woman sentenced to death by stoning for an alleged sexual infraction—in its “Oddly Enough” section, where typical headlines include “Unruly Taxi Drivers Sent to Charm School.”
So New York lawyer Roy Den Hollander once married a young woman he met while working as a private investigator in Russia. Once Den Hollander moved himself and his foreign bride back to New York City, though, she took a job as a stripper and proceeded to dump him within months.
It's a sad little story, and probably not nearly the first of its kind. But to say Den Hollander seems to have had a wee bit of trouble letting it go would be a massive understatement. Since his marriage ended, the spurned groom has turned into a men's-rights crusader so convinced that feminism is the reason for all his personal woes that he's literally made a career out of litigating against it.
Passing on the news of a recently-launched website dedicated to honoring and mobilizing girls' media production called Girls Make Media. Creator Mary Celeste Kearney is hoping the site will become a resource for girls, as well as media educators, researchers, and others dedicated to amplifying the voices of girls.
Looks like it's off to a good start -- please check it out, spread the word, contribute...
I'd never
been to Salt Lake City before, so I was excited to check it out. After
a long drive in from Denver, I was even more excited to be greeted by a
plate of vegan cookies, freshly-baked by our host, Courtney Maguire
(thanks, Courtney!). Courtney is one of the folks involved with the Female Empwerment Movement (FEM),
a new(ish) feminist group created in response to the high rates of
sexual violence in Salt Lake. FEM also helped organize and get the word
out of the evening's events, and I'm grateful.
I'm also grateful to Angela Brown, Meghann Griggs, and the rest of the folks at SLUG magazine,
who responded almost immediately to our call for assistance in helping
put together the discussion and fundraiser in Salt Lake. SLUG was
founded in 1989 and remains Utah's oldest alternative paper.
I've been debating whether I should post this for a few days, but I've decided I must.
Earlier this week, I went to the Mother Jones website to find an old article I wanted to post here. But my search was interrupted when I saw an ad for Wal-Mart pop up.
An ad for Wal-Mart on the website of a magazine that calls itself:
An
independent nonprofit whose roots lie in a commitment to social justice
implemented through first rate investigative reporting.
Kath and Kim
are the clueless, flamboyant, and extremely tacky Australian mother and
daughter on the show of the same name. The Aussie series—whose
cocreators, Jane Turner and Gina Riley,
are also its stars—is a hysterical parody of suburban life in
Australia. EVERYthing is over the top—the accents, the clothes, the
props, the plotlines. And from the first time I saw the show, the thing
I loved about it was the fact that the two female leads were willing to
wear silly prosthetics and unflattering clothes for the sake of good
comedy.