If you have a tendency to get sucked into bad movies starring formerly
famous actresses, you've probably watched some “Fa la la la Lifetime”,
a month-long event in which Lifetime Television brings out its
considerable collection of Christmas movies.
Whether they're are about
Christmas dating, Christmas engagements, or Christmas weddings, the
movies usually to have a few things in common: sassy friends with Canadian
accents, insipid male love interests, excessive seasonal decorations,
embarrassing covers of Christmas carols, and unconvincing dye jobs.
I watched enough this year to discover a sub-genre that’s even more unsettling than your average
cute-heroine-finds-Christmas-love story. I call it the Second Chance
Fantasy.
I was back in Minneapolis this weekend for the National Conference for Media Reform, an annual event organized by the folks at Free Press, a nonpartisan group focused on media reform and policy.
Here in Northeast Portland is a place called In Other Words Women's Books and Resources, a nonprofit bookstore founded in 1993. I've only lived in Portland for a year, so most of what I know I've learned from talking to people and reading news articles, like this.
A few nights ago I went to a screening of a short documentary called Moving In: A nonprofit feminist bookstore and the politics of place. The documentary, created by Dawn Jones (who's on the board of Bitch; photographed below), examines the bookstore's 2006 move, which resulted from being economically displaced from their original neighborhood, to a historically African-American neighborhood. The film is fantastic; you should see it if you have the opportunity.
I finally got around to seeing The Business of Being Born, which means I got very intimate with Ricki Lake and her female powers. Lake not only produced this documentary about the ever-increasing medicalization of birth in the U.S. but also included up-close-and-personal footage of the birth of her second son, at home, in the bathtub, attended by a midwife.