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  • Article (3)

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  • Amy Richards (1)
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Student Counsel

Talking Sense with The Education of Shelby Knox’s Creators and Star
An interview with Shelby Knox, Rose Rosen­blatt, Marion Lipschultz by Rebecca Onion, appeared in issue Truth & Consequences; published in 2005; filed under Film; tagged abstinence, education, religious right, Republican, sex, sex education, Shelby Knox, Sundance.

Everything’s bigger in Texas, or so the saying goes, and that may be truest in the realm of sex-education controversy. Texas, which has one of the nation’s highest rates of teen pregnancy and sexually transmitted diseases, has also been at the forefront of abstinence-only education in public schools since 1995, when then-governor George W. Bush signed the curriculum into law.

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Five Conversations About One Thing - Jim McKay

An interview with Jim McKay by Amy Richards, Illustrated by Photo of Richards by Joanne Savio, appeared in issue Masculinity; published in 2005; filed under Film; tagged Amy Richards, documentary, fatherhood, Girls Town, Jim McKay, third wave.

Amy Richards met Jim McKay as he was getting ready to release his first film, Girls Town, in 1995. McKay was kind (and political) enough to offer his film to the Third Wave Foundation, which Richards cofounded, for a benefit screening. Though Third Wave has had dozens of events since then, none has come close to matching its success, in terms of sheer dollars raised in one sitting (over $20,000), the number of new donors and allies attracted to the organization’s work, and the unparalleled visibility that comes when you combine social justice and Hollywood.

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Jail Bait

Rethinking Images of Incarcerated Women
Article by Anna Clark, Illustrated by Omar Lee, appeared in issue Home & Away; published in 2005; filed under Film; tagged criminal justice, fantasy, media, prison reform, race, stereotypes.

It is not my pleasure to remind anyone of the 2001 teen flick Sugar & Spice. Teetering between the black humor of Heathers and the girly glitz of Clueless, it achieves the success of neither, and I bring it up now only because of a single scene.

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