Lisa Katayama

When Damali Ayo was 12, her parents sent her to day camp with 20 white kids. The kids were fascinated by the way Ayo’s hair maintained its texture in the pool. Even after she deliberately dunked her head in the water, they were convinced that black hair doesn’t get wet.

This experience stuck with her as she launched her art career in the predominantly white city of Portland, Oregon. Ayo often felt she was the token black person relied upon for opinions and advice precisely because of her skin color.